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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Durrell in Askania Nova, 1985 Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller. In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)

    Durrell in Askania Nova, 1985

    Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller.

    In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)
  • Image 2 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 3 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 4 Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha. Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
    Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha.

    Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
  • Image 5 Kapoor in 2017 Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016. Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)

    Kapoor in 2017

    Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016.

    Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)
  • Image 6 Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles. Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)

    Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles.

    Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)
  • Image 7 Sholay (Hindustani: [ˈʃoːleː] ⓘ, transl. 'Embers') is a 1975 Indian epic action-adventure film directed by Ramesh Sippy, produced by his father G. P. Sippy, and written by Salim–Javed. The film is about two criminals, Veeru (Dharmendra) and Jai (Amitabh Bachchan), hired by a retired police officer (Sanjeev Kumar) to capture the ruthless dacoit Gabbar Singh (Amjad Khan). Hema Malini and Jaya Bhaduri also star, as Veeru and Jai's love interests, Basanti and Radha, respectively. The music was composed by R D Burman. The film was shot in the rocky terrain of Ramanagara, in the southern state of Karnataka, over a span of two and a half years, beginning in October 1973. After the Central Board of Film Certification mandated the removal of several violent scenes, Sholay was released as a 198-minute long film. In 1990, the original director's cut of 204 minutes became available on home media. When first released, Sholay received negative critical reviews and a tepid commercial response, but favourable word-of-mouth publicity helped it to become a box office success. It broke records for continuous showings in many theatres across India, and ran for more than five years at Mumbai's Minerva theatre. The film was also an overseas success in the Soviet Union. It was the highest-grossing Indian film ever at the time, and was the highest-grossing film in India up until Hum Aapke Hain Koun..! (1994). By numerous accounts, Sholay remains one of the highest-grossing Indian films of all time, adjusted for inflation. (Full article...)
    Sholay (Hindustani: [ˈʃoːleː] ⓘ, transl. 'Embers') is a 1975 Indian epic action-adventure film directed by Ramesh Sippy, produced by his father G. P. Sippy, and written by Salim–Javed. The film is about two criminals, Veeru (Dharmendra) and Jai (Amitabh Bachchan), hired by a retired police officer (Sanjeev Kumar) to capture the ruthless dacoit Gabbar Singh (Amjad Khan). Hema Malini and Jaya Bhaduri also star, as Veeru and Jai's love interests, Basanti and Radha, respectively. The music was composed by R D Burman.

    The film was shot in the rocky terrain of Ramanagara, in the southern state of Karnataka, over a span of two and a half years, beginning in October 1973. After the Central Board of Film Certification mandated the removal of several violent scenes, Sholay was released as a 198-minute long film. In 1990, the original director's cut of 204 minutes became available on home media. When first released, Sholay received negative critical reviews and a tepid commercial response, but favourable word-of-mouth publicity helped it to become a box office success. It broke records for continuous showings in many theatres across India, and ran for more than five years at Mumbai's Minerva theatre. The film was also an overseas success in the Soviet Union. It was the highest-grossing Indian film ever at the time, and was the highest-grossing film in India up until Hum Aapke Hain Koun..! (1994). By numerous accounts, Sholay remains one of the highest-grossing Indian films of all time, adjusted for inflation. (Full article...)
  • Image 8 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
  • Image 9 Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head. Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia). The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)

    Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head.

    Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia).

    The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)
  • Image 10 Portrait by Charles Dana Gibson, c. 1903 Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)

    Portrait by Charles Dana Gibson, c. 1903

    Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics.

    Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
  • Image 11 Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by debutant Nikhil Advani from a script written by Karan Johar and Niranjan Iyengar, and produced by Yash Johar under Dharma Productions. The film stars Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Jaya Bachchan, Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. Set in New York City, the story follows Naina Catherine Kapur (Zinta) who gradually falls for her visiting neighbour Aman Mathur (Shah Rukh Khan), but a secret prevents Aman from reciprocating his feelings, causing him to set Naina up with her best friend, Rohit Patel (Saif Ali Khan). Collaborating with Johar in a first, Shankar–Ehsaan–Loy composed the original soundtrack and background score, with Javed Akhtar writing the lyrics. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. Filming was stalled for around six months due to Shahrukh Khan's illness. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
    Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by debutant Nikhil Advani from a script written by Karan Johar and Niranjan Iyengar, and produced by Yash Johar under Dharma Productions. The film stars Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Jaya Bachchan, Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. Set in New York City, the story follows Naina Catherine Kapur (Zinta) who gradually falls for her visiting neighbour Aman Mathur (Shah Rukh Khan), but a secret prevents Aman from reciprocating his feelings, causing him to set Naina up with her best friend, Rohit Patel (Saif Ali Khan).

    Collaborating with Johar in a first, Shankar–Ehsaan–Loy composed the original soundtrack and background score, with Javed Akhtar writing the lyrics. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. Filming was stalled for around six months due to Shahrukh Khan's illness. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
  • Image 12 The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han. Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)

    The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han

    Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.

    Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)
  • Image 13 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 14 Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
    Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.

    The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
  • Image 15 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 16 Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor. He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)

    Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor.

    He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)
  • Image 17 Satellite image of the tropical storm on May 13 The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day. In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)

    Satellite image of the tropical storm on May 13

    The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day.

    In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)
  • Image 18 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 19 Male in Serengeti National Park, Tanzania The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator. The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)

    Male in Serengeti National Park, Tanzania

    The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator.

    The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)
  • Image 20 Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed] Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
    Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed]

    Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
  • Image 21 The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical drama film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931. The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
    The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical drama film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931.

    The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
  • Image 22 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 23 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
  • Image 24 Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$810,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$810,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 25 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
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  • Image 1 The 1998 North Indian Ocean cyclone season was an active season in annual cycle of tropical cyclone formation. The season has no official bounds but cyclones tend to form between April and December. These dates conventionally delimit the period of each year when most tropical cyclones form in the northern Indian Ocean. There are two main seas in the North Indian Ocean—the Bay of Bengal to the east of the Indian subcontinent and the Arabian Sea to the west of India. The official Regional Specialized Meteorological Centre in this basin is the India Meteorological Department (IMD), while the Joint Typhoon Warning Center releases unofficial advisories. An average of four to six storms form in the North Indian Ocean every season with peaks in May and November. Cyclones occurring between the meridians 45°E and 100°E are included in the season by the IMD. With eleven depressions and eight tropical cyclones, this was one of the most active seasons in the ocean along with 1987, 1996, and 2005. The season caused a large loss of life, most of which was from one storm. Over 10,000 people were killed in India when Tropical Cyclone 03A brought a 4.9-metre (16-foot) storm surge to the Kathiawar Peninsula, inundating numerous salt mines. Total damages from the storm amounted to Rs. 120 billion (US$3 billion). Tropical Cyclone 01B killed at least 26 people and left at least 4,000 fishermen missing in eastern Bangladesh on May 20. A short lived depression in mid-October killed 122 people after triggering severe flooding in Andhra Pradesh. In November, Tropical Cyclone 06B killed six people and caused property damage worth BTN 880 million (US$20.7 million) in eastern India. An additional 40 people were killed and 100 fishermen were listed as missing after Tropical Cyclone 07B affected Bangladesh. (Full article...)

    The 1998 North Indian Ocean cyclone season was an active season in annual cycle of tropical cyclone formation. The season has no official bounds but cyclones tend to form between April and December. These dates conventionally delimit the period of each year when most tropical cyclones form in the northern Indian Ocean. There are two main seas in the North Indian Ocean—the Bay of Bengal to the east of the Indian subcontinent and the Arabian Sea to the west of India. The official Regional Specialized Meteorological Centre in this basin is the India Meteorological Department (IMD), while the Joint Typhoon Warning Center releases unofficial advisories. An average of four to six storms form in the North Indian Ocean every season with peaks in May and November. Cyclones occurring between the meridians 45°E and 100°E are included in the season by the IMD.

    With eleven depressions and eight tropical cyclones, this was one of the most active seasons in the ocean along with 1987, 1996, and 2005. The season caused a large loss of life, most of which was from one storm. Over 10,000 people were killed in India when Tropical Cyclone 03A brought a 4.9-metre (16-foot) storm surge to the Kathiawar Peninsula, inundating numerous salt mines. Total damages from the storm amounted to Rs. 120 billion (US$3 billion). Tropical Cyclone 01B killed at least 26 people and left at least 4,000 fishermen missing in eastern Bangladesh on May 20. A short lived depression in mid-October killed 122 people after triggering severe flooding in Andhra Pradesh. In November, Tropical Cyclone 06B killed six people and caused property damage worth BTN 880 million (US$20.7 million) in eastern India. An additional 40 people were killed and 100 fishermen were listed as missing after Tropical Cyclone 07B affected Bangladesh. (Full article...)
  • Image 2 Jet Airways Limited, trading as Jet Airways, was an Indian full-service airline based in Delhi, with a training and developmental centre in Mumbai. Incorporated in April 1993 as a limited liability company, the airline began operations as an air taxi operator in 1993. It began full operations in 1995, with international flights introduced in 2004. The airline went public in 2005 and in 2007, when it acquired Air Sahara. The airline was expected to re-commence its flight operations by the end of 2024, which would have made it the first Indian airline to be revived after ceasing operations. On 7 November, 2024, the liquidation of the airline was ordered by the Supreme Court of India. It grew to be one of the largest airlines in India, with a 21.2% passenger market share in February 2016. Jet Airways operated over 300 flights daily to 74 destinations worldwide from its former main hub at Chhatrapati Shivaji Maharaj International Airport in Mumbai and secondary hubs at Chennai International Airport in Chennai, Indira Gandhi International Airport in New Delhi, Kempegowda International Airport in Bangalore, Cochin International Airport in Kochi and Netaji Subhas Chandra Bose International Airport in Kolkata. (Full article...)
    Jet Airways Limited, trading as Jet Airways, was an Indian full-service airline based in Delhi, with a training and developmental centre in Mumbai. Incorporated in April 1993 as a limited liability company, the airline began operations as an air taxi operator in 1993. It began full operations in 1995, with international flights introduced in 2004. The airline went public in 2005 and in 2007, when it acquired Air Sahara. The airline was expected to re-commence its flight operations by the end of 2024, which would have made it the first Indian airline to be revived after ceasing operations. On 7 November, 2024, the liquidation of the airline was ordered by the Supreme Court of India.

    It grew to be one of the largest airlines in India, with a 21.2% passenger market share in February 2016. Jet Airways operated over 300 flights daily to 74 destinations worldwide from its former main hub at Chhatrapati Shivaji Maharaj International Airport in Mumbai and secondary hubs at Chennai International Airport in Chennai, Indira Gandhi International Airport in New Delhi, Kempegowda International Airport in Bangalore, Cochin International Airport in Kochi and Netaji Subhas Chandra Bose International Airport in Kolkata. (Full article...)
  • Image 3 Part of Palamu fort The Palamu Fort are two ruined forts located 3 k.m from Betla National Park, Latehar district on the bank of Auranga River, in the Indian state of Jharkhand. The old fort in the plains, which existed even before the Chero dynasty, was built by the King of Raksel dynasty. The original fort in the plains and the other on an adjoining hill are attributed to the kings of the Chero dynasty. The fort in the plains had defences on three sides and three main gates. The New fort was constructed by Raja Medini Ray. East India company used this fort to prison Narayan Peshwa of Tiroha and Raja Harsh dubey alias Subedar Aftab Singh mutineers of 1857. (Full article...)

    Part of Palamu fort

    The Palamu Fort are two ruined forts located 3 k.m from Betla National Park, Latehar district on the bank of Auranga River, in the Indian state of Jharkhand. The old fort in the plains, which existed even before the Chero dynasty, was built by the King of Raksel dynasty. The original fort in the plains and the other on an adjoining hill are attributed to the kings of the Chero dynasty. The fort in the plains had defences on three sides and three main gates. The New fort was constructed by Raja Medini Ray. East India company used this fort to prison Narayan Peshwa of Tiroha and Raja Harsh dubey alias Subedar Aftab Singh mutineers of 1857. (Full article...)
  • Image 4 India sent a delegation to compete at the 1964 Winter Olympics in Innsbruck, Austria from 29 January to 9 February 1964. This was India's debut at the Winter Olympic Games. The sole athlete representing India was Jeremy Bujakowski, who competed in the men's downhill event in alpine skiing. He failed to finish the race, and went unranked in the competition. (Full article...)
    India sent a delegation to compete at the 1964 Winter Olympics in Innsbruck, Austria from 29 January to 9 February 1964. This was India's debut at the Winter Olympic Games. The sole athlete representing India was Jeremy Bujakowski, who competed in the men's downhill event in alpine skiing. He failed to finish the race, and went unranked in the competition. (Full article...)
  • Image 5 Varaha killing Hiranyaksha and saving Bhumi, 1740 CE, Chamba painting Varaha (Sanskrit: वराह, Varāha, "boar") is the avatar of the Hindu god Vishnu, in the form of a boar. Varaha is generally listed as third in the Dashavatar, the ten principal avatars of Vishnu. In legend, when the demon Hiranyaksha steals the earth goddess Bhumi and hid her in the primordial waters, Vishnu appears as Varaha to rescue her. Varaha kills Hiranyaksha and retrieves the earth from the cosmic ocean, lifting her on his tusks, and restores her to her place in the universe. (Full article...)

    Varaha killing Hiranyaksha and saving Bhumi, 1740 CE, Chamba painting

    Varaha (Sanskrit: वराह, Varāha, "boar") is the avatar of the Hindu god Vishnu, in the form of a boar. Varaha is generally listed as third in the Dashavatar, the ten principal avatars of Vishnu.

    In legend, when the demon Hiranyaksha steals the earth goddess Bhumi and hid her in the primordial waters, Vishnu appears as Varaha to rescue her. Varaha kills Hiranyaksha and retrieves the earth from the cosmic ocean, lifting her on his tusks, and restores her to her place in the universe. (Full article...)
  • Image 6 Depiction of Kalyanasundara, Ellora caves. Kalyanasundara (कल्याणसुन्दर, literally "beautiful wedding"), also spelt as Kalyansundar and Kalyana Sundara, and known as Kalyanasundara-murti ("icon of the beautiful wedding"), Vaivahika-murti (वैवाहिक-मूर्ति, "nuptial icon") and Panigrahana-murti ( पाणिंग्रहण-मूर्ति) ("icon related to panigrahana ritual"), is the iconographical depiction of the wedding of the Hindu deities Shiva and Parvati. The couple are often depicted performing the panigrahana ("accepting the hand") ritual of a Hindu wedding, where the groom accepts the bride by taking her right hand in his. The couple, depicted in the centre, are accompanied by a host of divinities and other celestial beings. The god Vishnu and his wife Lakshmi are often pictured as giving away Parvati to Shiva. The god Brahma is shown as the officiating priest. (Full article...)
    Depiction of Kalyanasundara, Ellora caves.




    Kalyanasundara (कल्याणसुन्दर, literally "beautiful wedding"), also spelt as Kalyansundar and Kalyana Sundara, and known as Kalyanasundara-murti ("icon of the beautiful wedding"), Vaivahika-murti (वैवाहिक-मूर्ति, "nuptial icon") and Panigrahana-murti ( पाणिंग्रहण-मूर्ति) ("icon related to panigrahana ritual"), is the iconographical depiction of the wedding of the Hindu deities Shiva and Parvati. The couple are often depicted performing the panigrahana ("accepting the hand") ritual of a Hindu wedding, where the groom accepts the bride by taking her right hand in his.

    The couple, depicted in the centre, are accompanied by a host of divinities and other celestial beings. The god Vishnu and his wife Lakshmi are often pictured as giving away Parvati to Shiva. The god Brahma is shown as the officiating priest. (Full article...)
  • Image 7 Naayak (transl. Leader) is a 2013 Indian Telugu-language action comedy film directed by V. V. Vinayak who co-wrote the film with Akula Siva. The film was produced by DVV Danayya and presented by S. Radha Krishna under the banner Universal Media. The film stars Ram Charan, Kajal Aggarwal, and Amala Paul in the lead roles. S. Thaman composed the film's score and soundtrack. Chota K. Naidu was the cinematographer and Gautham Raju was the film's editor. Production began on 9 November 2011 and principal photography began on 7 February 2012. The film was extensively shot in Hyderabad and Kolkata, while a couple of the songs were shot in Dubai, Iceland, and Slovenia, making Naayak the first Indian film to be shot in Slovenia. Filming ended on 29 December 2012. (Full article...)
    Naayak (transl. Leader) is a 2013 Indian Telugu-language action comedy film directed by V. V. Vinayak who co-wrote the film with Akula Siva. The film was produced by DVV Danayya and presented by S. Radha Krishna under the banner Universal Media. The film stars Ram Charan, Kajal Aggarwal, and Amala Paul in the lead roles. S. Thaman composed the film's score and soundtrack. Chota K. Naidu was the cinematographer and Gautham Raju was the film's editor.

    Production began on 9 November 2011 and principal photography began on 7 February 2012. The film was extensively shot in Hyderabad and Kolkata, while a couple of the songs were shot in Dubai, Iceland, and Slovenia, making Naayak the first Indian film to be shot in Slovenia. Filming ended on 29 December 2012. (Full article...)
  • Image 8 Bumrah in 2024 Jasprit Jasbirsingh Bumrah (Punjabi: [dʒəsˈpɾiːt̪ bʊmˈɾaː]; born 6 December 1993) is an Indian cricketer who plays for the national team in all formats of the game. He is the vice-captain of India in the Test format and has captained India in Tests and T20Is. A right-arm fast bowler, Bumrah plays for Gujarat in domestic cricket and for Mumbai Indians in the Indian Premier League. Bumrah was a crucial member of the Indian team that won the 2024 T20 World Cup, where he was named the Player of the Tournament for taking 15 wickets with an average economy of 4.17. Among Indian fast bowlers, he took 200 wickets in the fewest matches and reached 100 wickets in ODI cricket in the second-shortest time, in terms of matches played. He is the first bowler to have achieved the number one ranking in the ICC men's player rankings in all three formats of the game. He also holds the record of scoring the highest number of runs in an over in Test cricket. He achieved this feat against Stuart Broad. (Full article...)

    Bumrah in 2024

    Jasprit Jasbirsingh Bumrah (Punjabi: [dʒəsˈpɾiːt̪ bʊmˈɾaː]; born 6 December 1993) is an Indian cricketer who plays for the national team in all formats of the game. He is the vice-captain of India in the Test format and has captained India in Tests and T20Is. A right-arm fast bowler, Bumrah plays for Gujarat in domestic cricket and for Mumbai Indians in the Indian Premier League. Bumrah was a crucial member of the Indian team that won the 2024 T20 World Cup, where he was named the Player of the Tournament for taking 15 wickets with an average economy of 4.17.

    Among Indian fast bowlers, he took 200 wickets in the fewest matches and reached 100 wickets in ODI cricket in the second-shortest time, in terms of matches played. He is the first bowler to have achieved the number one ranking in the ICC men's player rankings in all three formats of the game. He also holds the record of scoring the highest number of runs in an over in Test cricket. He achieved this feat against Stuart Broad. (Full article...)
  • Image 9 A. R. Rahman: The Musical Storm is a biography of the Indian music composer A. R. Rahman by the journalist Kamini Mathai. The book was released on 18 June 2009 by Penguin Books' subsidiary Viking Press and became a commercial success. Consisting of thirteen chapters, it describes Rahman's birth in Madras (present-day Chennai) in 1967, his 27-year-long musical career, and his marriage in 1995 to Saira Banu, with whom he has three children. Mathai was appointed by Penguin Books in early 2003 to write a biography on Rahman. In March the same year, she started contacting him through e-mails. He responded nearly one year later, and their first meeting happened the following six and seven months. In her writing process, she also met nearly other 100 people, including his family members and his colleagues. Critical reception of the book was mostly positive, with Mathai's writing and its contents getting the most attention. (Full article...)
    A. R. Rahman: The Musical Storm is a biography of the Indian music composer A. R. Rahman by the journalist Kamini Mathai. The book was released on 18 June 2009 by Penguin Books' subsidiary Viking Press and became a commercial success. Consisting of thirteen chapters, it describes Rahman's birth in Madras (present-day Chennai) in 1967, his 27-year-long musical career, and his marriage in 1995 to Saira Banu, with whom he has three children.

    Mathai was appointed by Penguin Books in early 2003 to write a biography on Rahman. In March the same year, she started contacting him through e-mails. He responded nearly one year later, and their first meeting happened the following six and seven months. In her writing process, she also met nearly other 100 people, including his family members and his colleagues. Critical reception of the book was mostly positive, with Mathai's writing and its contents getting the most attention. (Full article...)
  • Image 10 Oopiri (transl. Breath) is a 2016 Indian bilingual comedy-drama film directed by Vamshi Paidipally and produced by PVP Cinema. The film is shot simultaneously in Telugu and Tamil languages; the latter titled Thozha (transl. Friend). It stars Akkineni Nagarjuna, Karthi (in his Telugu debut) and Tamannaah Bhatia while Prakash Raj, Ali, Vivek, Jayasudha, Kalpana and Tanikella Bharani playing supporting roles. The narrative focuses on the lives of Vikramaditya, a quadriplegic billionaire, and Seenu, his ex-convict caretaker, highlighting their realisation of the importance of life and relationships over money and disability. Oopiri is a remake of Éric Toledano and Olivier Nakache's French film The Intouchables (2011). The rights to remake The Intouchables were acquired by Karan Johar and Guneet Monga in May 2014, who later authorised PVP Cinema to produce adaptations in regional languages, making Oopiri its first remake. Principal photography took place from March 2015 to February 2016 in locations including Chennai, Hyderabad, Paris, Belgrade and Novi Sad. Gopi Sundar composed the film's music, while P. S. Vinod was responsible for cinematography. Madhu and Praveen K. L. edited the Telugu and Tamil versions, respectively. (Full article...)
    Oopiri (transl. Breath) is a 2016 Indian bilingual comedy-drama film directed by Vamshi Paidipally and produced by PVP Cinema. The film is shot simultaneously in Telugu and Tamil languages; the latter titled Thozha (transl. Friend). It stars Akkineni Nagarjuna, Karthi (in his Telugu debut) and Tamannaah Bhatia while Prakash Raj, Ali, Vivek, Jayasudha, Kalpana and Tanikella Bharani playing supporting roles. The narrative focuses on the lives of Vikramaditya, a quadriplegic billionaire, and Seenu, his ex-convict caretaker, highlighting their realisation of the importance of life and relationships over money and disability.

    Oopiri is a remake of Éric Toledano and Olivier Nakache's French film The Intouchables (2011). The rights to remake The Intouchables were acquired by Karan Johar and Guneet Monga in May 2014, who later authorised PVP Cinema to produce adaptations in regional languages, making Oopiri its first remake. Principal photography took place from March 2015 to February 2016 in locations including Chennai, Hyderabad, Paris, Belgrade and Novi Sad. Gopi Sundar composed the film's music, while P. S. Vinod was responsible for cinematography. Madhu and Praveen K. L. edited the Telugu and Tamil versions, respectively. (Full article...)
  • Image 11 Chauhan performing at Jawaharlal Nehru Stadium for her I AM HOME Tour c. 2024 Sunidhi Chauhan (pronounced [sʊnɪd̪ʱiː ʧɔːɦäːn]; born Nidhi Chauhan, 14 August 1983) is an Indian playback singer. Known for her Bold vocal range, she has recorded songs for films in several Indian languages and received accolades including three Filmfare Awards and a Filmfare Award South. She is often praised for her charismatic stage presence and Vocal belting ability. Born in Delhi, she began performing at local gatherings at the age of 5 and made her career debut at the age of 13, with the film Shastra (1996). During the year, she won the first singing reality show titled Meri Awaz Suno and rose to prominence after recording "Ruki Ruki Si Zindagi" from Mast (1999). It won her Filmfare RD Burman Award for New Music Talent and was nominated for the Best Female Playback Singer. She is known for her versatility as a vocalist. (Full article...)

    Chauhan performing at Jawaharlal Nehru Stadium for her I AM HOME Tour c. 2024

    Sunidhi Chauhan (pronounced [sʊnɪd̪ʱiː ʧɔːɦäːn]; born Nidhi Chauhan, 14 August 1983) is an Indian playback singer. Known for her Bold vocal range, she has recorded songs for films in several Indian languages and received accolades including three Filmfare Awards and a Filmfare Award South. She is often praised for her charismatic stage presence and Vocal belting ability.

    Born in Delhi, she began performing at local gatherings at the age of 5 and made her career debut at the age of 13, with the film Shastra (1996). During the year, she won the first singing reality show titled Meri Awaz Suno and rose to prominence after recording "Ruki Ruki Si Zindagi" from Mast (1999). It won her Filmfare RD Burman Award for New Music Talent and was nominated for the Best Female Playback Singer. She is known for her versatility as a vocalist. (Full article...)
  • Image 12 Risley Sir Herbert Hope Risley KCIE CSI FRAI (4 January 1851 – 30 September 1911) was a British ethnographer and colonial administrator, a member of the Indian Civil Service who conducted extensive studies on the tribes and castes of the Bengal Presidency. He is notable for the formal identification of the centuries old established caste system of the entire Hindu population of British India in the 1901 census, of which he was in charge. As an exponent of scientific racism, he used anthropometric data to divide Indians into seven races. Risley was born in Buckinghamshire, England, in 1851 and attended New College, Oxford University prior to joining the Indian Civil Service (ICS). He was initially posted to Bengal, where his professional duties engaged him in statistical and ethnographic research, and he soon developed an interest in anthropology. His decision to indulge these interests curtailed his initial rapid advancement through the ranks of the Service, although he was later appointed Census Commissioner and, shortly before his death in 1911, became Permanent Secretary at the India Office in London. In the intervening years he compiled various studies of Indian communities based on ideas that are now considered to constitute scientific racism. He emphasised the value of fieldwork and anthropometric studies, in contrast to the reliance on old texts and folklore that had historically been the methodology of Indologists and which was still a significant approach in his lifetime. (Full article...)

    Risley

    Sir Herbert Hope Risley KCIE CSI FRAI (4 January 1851 – 30 September 1911) was a British ethnographer and colonial administrator, a member of the Indian Civil Service who conducted extensive studies on the tribes and castes of the Bengal Presidency. He is notable for the formal identification of the centuries old established caste system of the entire Hindu population of British India in the 1901 census, of which he was in charge. As an exponent of scientific racism, he used anthropometric data to divide Indians into seven races.

    Risley was born in Buckinghamshire, England, in 1851 and attended New College, Oxford University prior to joining the Indian Civil Service (ICS). He was initially posted to Bengal, where his professional duties engaged him in statistical and ethnographic research, and he soon developed an interest in anthropology. His decision to indulge these interests curtailed his initial rapid advancement through the ranks of the Service, although he was later appointed Census Commissioner and, shortly before his death in 1911, became Permanent Secretary at the India Office in London. In the intervening years he compiled various studies of Indian communities based on ideas that are now considered to constitute scientific racism. He emphasised the value of fieldwork and anthropometric studies, in contrast to the reliance on old texts and folklore that had historically been the methodology of Indologists and which was still a significant approach in his lifetime. (Full article...)
  • Image 13 Adult on a tree, at Vadodara, Gujarat, India The purple heron (Ardea purpurea) is a wide-ranging heron species. It breeds in Africa, central and southern Europe, and southern and eastern Palearctic. The Western Palearctic populations migrate between breeding and wintering habitats whereas the African and tropical-Asian populations are primarily sedentary, except for occasional dispersive movements. It is similar in appearance to the more common grey heron but is slightly smaller, more slender and has darker plumage. It is also a more evasive bird, favouring densely vegetated habitats near water, particularly reed beds. It hunts for a range of prey including fish, rodents, frogs and insects, either stalking them or standing waiting in ambush. Purple herons are colonial breeders and build a bulky nest out of dead reeds or sticks close to the water' edge among reeds or in dense vegetation. About five bluish-green eggs are laid and are incubated by both birds. The young hatch about four weeks later and fledge six weeks after that. The International Union for Conservation of Nature notes that the global population trend is downwards, largely because of the drainage of wetlands, but assesses the purple heron's conservation status as being of "least concern". (Full article...)

    Adult on a tree, at Vadodara, Gujarat, India

    The purple heron (Ardea purpurea) is a wide-ranging heron species. It breeds in Africa, central and southern Europe, and southern and eastern Palearctic. The Western Palearctic populations migrate between breeding and wintering habitats whereas the African and tropical-Asian populations are primarily sedentary, except for occasional dispersive movements.
    It is similar in appearance to the more common grey heron but is slightly smaller, more slender and has darker plumage. It is also a more evasive bird, favouring densely vegetated habitats near water, particularly reed beds. It hunts for a range of prey including fish, rodents, frogs and insects, either stalking them or standing waiting in ambush.

    Purple herons are colonial breeders and build a bulky nest out of dead reeds or sticks close to the water' edge among reeds or in dense vegetation. About five bluish-green eggs are laid and are incubated by both birds. The young hatch about four weeks later and fledge six weeks after that. The International Union for Conservation of Nature notes that the global population trend is downwards, largely because of the drainage of wetlands, but assesses the purple heron's conservation status as being of "least concern". (Full article...)
  • Image 14 Kartik bowling for Somerset in 2010. Murali Kartik (pronunciation, born 11 September 1976) is a Cricket commentator and former Indian cricketer who sporadically represented the national team from 2000 to 2007. He was a slow left-arm orthodox bowler. He was not selected for international matches during his prime years due to the presence of Anil Kumble and Harbhajan Singh in the Indian squad. A left-handed batsman who had some success with the bat at first-class level with 21 half-centuries, Murli was not able to repeat such performances at international level. After starting out in the Delhi junior system, Murali moved through the age group ranks at Railways and was selected for the Indian Under-19 team. He made his first-class debut in 1996–97 and after a few productive seasons at the domestic level, made his Test debut in early 2000 as Kumble's bowling partner. However, he ran into disciplinary problems and was expelled from the National Cricket Academy in the same year. At the same time, new national captain Sourav Ganguly was reluctant to entrust him with responsibility. Ganguly called for off-spinner Harbhajan Singh to be recalled in 2001 and was rewarded with a series-winning performance against Australia. This entrenched the off-spinner in the team and left Kartik on the outer. (Full article...)

    Kartik bowling for Somerset in 2010.

    Murali Kartik (pronunciation, born 11 September 1976) is a Cricket commentator and former Indian cricketer who sporadically represented the national team from 2000 to 2007. He was a slow left-arm orthodox bowler. He was not selected for international matches during his prime years due to the presence of Anil Kumble and Harbhajan Singh in the Indian squad. A left-handed batsman who had some success with the bat at first-class level with 21 half-centuries, Murli was not able to repeat such performances at international level.

    After starting out in the Delhi junior system, Murali moved through the age group ranks at Railways and was selected for the Indian Under-19 team. He made his first-class debut in 1996–97 and after a few productive seasons at the domestic level, made his Test debut in early 2000 as Kumble's bowling partner. However, he ran into disciplinary problems and was expelled from the National Cricket Academy in the same year. At the same time, new national captain Sourav Ganguly was reluctant to entrust him with responsibility. Ganguly called for off-spinner Harbhajan Singh to be recalled in 2001 and was rewarded with a series-winning performance against Australia. This entrenched the off-spinner in the team and left Kartik on the outer. (Full article...)
  • Image 15 Sharma promoting Zero in 2018 Anushka Sharma (pronounced [əˈnʊʃka ˈʃərma]; born 1 May 1988) is an Indian actress who works in Hindi films. Her awards include a Filmfare Award. She has appeared in Forbes India's Celebrity 100 in the 2010s and was featured by Forbes Asia in their 30 Under 30 list of 2018. Born in Ayodhya and raised in Bangalore, Sharma had her first modelling assignment for the fashion designer Wendell Rodricks in 2007 and later moved to Mumbai to pursue a full-time career as a model. She made her acting debut opposite Shah Rukh Khan in the top-grossing romantic film Rab Ne Bana Di Jodi (2008) and rose to prominence with starring roles in Yash Raj Films' romances Band Baaja Baaraat (2010) and Jab Tak Hai Jaan (2012); winning the Filmfare Award for Best Supporting Actress for the latter. Sharma went on to earn praise for playing strong-willed women in the crime thriller NH10 (2015), and the dramas Dil Dhadakne Do (2015), Ae Dil Hai Mushkil (2016), and Sui Dhaaga (2018). Her highest-grossing releases came with the sports drama Sultan (2016), and Rajkumar Hirani's films PK (2014) and Sanju (2018). The poorly received Zero (2018) was followed by a hiatus from acting. (Full article...)

    Sharma promoting Zero in 2018

    Anushka Sharma (pronounced [əˈnʊʃka ˈʃərma]; born 1 May 1988) is an Indian actress who works in Hindi films. Her awards include a Filmfare Award. She has appeared in Forbes India's Celebrity 100 in the 2010s and was featured by Forbes Asia in their 30 Under 30 list of 2018.

    Born in Ayodhya and raised in Bangalore, Sharma had her first modelling assignment for the fashion designer Wendell Rodricks in 2007 and later moved to Mumbai to pursue a full-time career as a model. She made her acting debut opposite Shah Rukh Khan in the top-grossing romantic film Rab Ne Bana Di Jodi (2008) and rose to prominence with starring roles in Yash Raj Films' romances Band Baaja Baaraat (2010) and Jab Tak Hai Jaan (2012); winning the Filmfare Award for Best Supporting Actress for the latter. Sharma went on to earn praise for playing strong-willed women in the crime thriller NH10 (2015), and the dramas Dil Dhadakne Do (2015), Ae Dil Hai Mushkil (2016), and Sui Dhaaga (2018). Her highest-grossing releases came with the sports drama Sultan (2016), and Rajkumar Hirani's films PK (2014) and Sanju (2018). The poorly received Zero (2018) was followed by a hiatus from acting. (Full article...)
  • Image 16 in Noordwijk, Netherlands Parmotrema perlatum, commonly known as the powdered ruffle lichen, is a common species of foliose lichen in the family Parmeliaceae. The species has a cosmopolitan distribution and occurs throughout the Northern and Southern Hemispheres. Parmotrema perlatum is a prominent and widely recognised species within its genus across primarily temperate zones, preferring humid, oceanic-suboceanic habitats. It is found in diverse geographic areas including Africa, North and South America, Asia, Australasia, Europe, and islands in the Atlantic and Pacific oceans. It usually grows on bark, but occasionally occurs on siliceous rocks, often among mosses. The thallus of Parmotrema perlatum is large, light-grey to pale-blue patch-shaped with rounded and ruffled lobes and often with black hair-cilia at the edges. Distinguishing features of the lichen include its conspicuous soralia (reproductive structures) near the lobe edges, curled leaf-like lobes, and a narrow, shiny, and sometimes wrinkly area on the underside near the margin. This species is known for producing certain secondary metabolites, namely atranorin and a group of substances known as the stictic acid complex, which includes stictic and constictic acids, among other related compounds. These morphological and chemical characteristics help distinguish P. perlatum from several other potential lookalikes. (Full article...)

    in Noordwijk, Netherlands

    Parmotrema perlatum, commonly known as the powdered ruffle lichen, is a common species of foliose lichen in the family Parmeliaceae. The species has a cosmopolitan distribution and occurs throughout the Northern and Southern Hemispheres. Parmotrema perlatum is a prominent and widely recognised species within its genus across primarily temperate zones, preferring humid, oceanic-suboceanic habitats. It is found in diverse geographic areas including Africa, North and South America, Asia, Australasia, Europe, and islands in the Atlantic and Pacific oceans. It usually grows on bark, but occasionally occurs on siliceous rocks, often among mosses.

    The thallus of Parmotrema perlatum is large, light-grey to pale-blue patch-shaped with rounded and ruffled lobes and often with black hair-cilia at the edges. Distinguishing features of the lichen include its conspicuous soralia (reproductive structures) near the lobe edges, curled leaf-like lobes, and a narrow, shiny, and sometimes wrinkly area on the underside near the margin. This species is known for producing certain secondary metabolites, namely atranorin and a group of substances known as the stictic acid complex, which includes stictic and constictic acids, among other related compounds. These morphological and chemical characteristics help distinguish P. perlatum from several other potential lookalikes. (Full article...)
  • Image 17 A 14th-century statue of Varahi from Nepal Varahi (Sanskrit: वाराही, IAST:Vārāhī) is one of the Matrikas, a group of seven mother goddesses in the Hindu religion who bears the head of a sow. In Nepal, she is called Barahi. In Rajasthan and Gujarat, she is venerated as Dandini. Varahi is more commonly venerated in the sect of the Goddess-oriented Shaktism, but also in Shaivism (devotees of Shiva) and Vaishnavism (devotees of Vishnu). She is usually worshipped at night, using secretive Vamamarga Tantric practices. Her forms can be seen in Buddhism as well, like the Buddhist goddesses Vajravārāhī and Marichi. (Full article...)

    A 14th-century statue of Varahi from Nepal

    Varahi (Sanskrit: वाराही, IAST:Vārāhī) is one of the Matrikas, a group of seven mother goddesses in the Hindu religion who bears the head of a sow. In Nepal, she is called Barahi. In Rajasthan and Gujarat, she is venerated as Dandini.

    Varahi is more commonly venerated in the sect of the Goddess-oriented Shaktism, but also in Shaivism (devotees of Shiva) and Vaishnavism (devotees of Vishnu). She is usually worshipped at night, using secretive Vamamarga Tantric practices. Her forms can be seen in Buddhism as well, like the Buddhist goddesses Vajravārāhī and Marichi. (Full article...)
  • Image 18 Mahanati (transl. The great actress) is a 2018 Indian Telugu-language biographical drama film based on the life of actress Savitri. It is written and directed by Nag Ashwin, and produced by Priyanka Dutt under Vyjayanthi Movies and Swapna Cinema. The film features Keerthy Suresh as Savitri while Dulquer Salmaan (in his Telugu debut) plays Savitri's husband Gemini Ganesan. The film also stars Samantha Ruth Prabhu and Vijay Deverakonda, while Rajendra Prasad, Bhanupriya, Divyavani, Mohan Babu and Prakash Raj appear in supporting roles. The plot follows Savitri's life, depicting her turbulent rise to prominence, marriage with Ganesan, and subsequent fall from grace, which is viewed from the perspective of a journalist and a photographer, played by Samantha and Deverakonda respectively. Ashwin began working on the biopic of Savitri following the release of his directorial debut Yevade Subramanyam (2015). Its principal photography began in May 2017 and ended in March 2018 with filming taking place in Hyderabad, Palakollu, Bangalore, Chennai, Mysore, and Delhi. Dani Sanchez-Lopez performed the cinematography while Kotagiri Venkateswara Rao edited the film. The film features the score and soundtrack composed by Mickey J. Meyer. Mahanati released theatrically on 9 May 2018 while its dubbed versions in Tamil released on 11 May 2018, with the title Nadigaiyar Thilagam and in Malayalam on the same day as Mahanadi. (Full article...)
    Mahanati (transl. The great actress) is a 2018 Indian Telugu-language biographical drama film based on the life of actress Savitri. It is written and directed by Nag Ashwin, and produced by Priyanka Dutt under Vyjayanthi Movies and Swapna Cinema. The film features Keerthy Suresh as Savitri while Dulquer Salmaan (in his Telugu debut) plays Savitri's husband Gemini Ganesan. The film also stars Samantha Ruth Prabhu and Vijay Deverakonda, while Rajendra Prasad, Bhanupriya, Divyavani, Mohan Babu and Prakash Raj appear in supporting roles. The plot follows Savitri's life, depicting her turbulent rise to prominence, marriage with Ganesan, and subsequent fall from grace, which is viewed from the perspective of a journalist and a photographer, played by Samantha and Deverakonda respectively.

    Ashwin began working on the biopic of Savitri following the release of his directorial debut Yevade Subramanyam (2015). Its principal photography began in May 2017 and ended in March 2018 with filming taking place in Hyderabad, Palakollu, Bangalore, Chennai, Mysore, and Delhi. Dani Sanchez-Lopez performed the cinematography while Kotagiri Venkateswara Rao edited the film. The film features the score and soundtrack composed by Mickey J. Meyer. Mahanati released theatrically on 9 May 2018 while its dubbed versions in Tamil released on 11 May 2018, with the title Nadigaiyar Thilagam and in Malayalam on the same day as Mahanadi. (Full article...)
  • Image 19 Neila Sathyalingam (8 February 1938 – 9 March 2017) was a Singaporean classical Indian dancer, choreographer and instructor of Sri Lankan Tamil origin. An alumna of Kalakshetra in Madras (now Chennai) under the tutelage of Srimathi Rukmini Devi Arundale, she emigrated with her family to Singapore in 1974. In 1977 she and her husband founded the performance arts company Apsaras Arts, which has staged performances throughout the world. She was the company's artistic director and continued to teach dance. In 1983, Neila was appointed the dance instructor and choreographer for the Indian Dance Group of the People's Association (PA)—a state board in Singapore—where she remained a resident choreographer. She was also an artistic adviser to Singapore's National Arts Council. For her contributions to dance, Neila was awarded the Singaporean Cultural Medallion in 1989. She became a Singapore citizen in 1994. (Full article...)

    Neila Sathyalingam (8 February 1938 – 9 March 2017) was a Singaporean classical Indian dancer, choreographer and instructor of Sri Lankan Tamil origin. An alumna of Kalakshetra in Madras (now Chennai) under the tutelage of Srimathi Rukmini Devi Arundale, she emigrated with her family to Singapore in 1974. In 1977 she and her husband founded the performance arts company Apsaras Arts, which has staged performances throughout the world. She was the company's artistic director and continued to teach dance.

    In 1983, Neila was appointed the dance instructor and choreographer for the Indian Dance Group of the People's Association (PA)—a state board in Singapore—where she remained a resident choreographer. She was also an artistic adviser to Singapore's National Arts Council. For her contributions to dance, Neila was awarded the Singaporean Cultural Medallion in 1989. She became a Singapore citizen in 1994. (Full article...)
  • Image 20 From top: Ramanathaswamy Temple tower, Pamban Bridge, and a set of fishing boats. Rameswaram (IPA: [ɾaːmeːsʋaɾam]; also transliterated as Ramesvaram, Rameshwaram) is a municipality in the Ramanathapuram district of the Indian state of Tamil Nadu. It is on Pamban Island separated from mainland India by the Pamban channel and is about 40 kilometres (25 mi) from Mannar Island, Sri Lanka. It is in the Gulf of Mannar, at the tip of the Indian peninsula. Pamban Island, also known as Rameswaram Island, is connected to mainland India by the New Pamban Bridge. Rameswaram is the terminus of the railway line from Chennai and Madurai. Together with Varanasi, it is considered to be one of the holiest places in India for Hindus and is part of the Char Dham pilgrimage. According to the Ramayana, Rama is described to have built a bridge from the vicinity of this town across the sea to Lanka to rescue his wife Sita from her abductor Ravana. The temple, dedicated to the Hindu god Shiva, is at the centre of the town and is closely associated with Rama and Shiva. The temple and the town are considered a holy pilgrimage site for Shaivas and Vaishnavas. (Full article...)

    From top: Ramanathaswamy Temple tower, Pamban Bridge, and a set of fishing boats.

    Rameswaram (IPA: [ɾaːmeːsʋaɾam]; also transliterated as Ramesvaram, Rameshwaram) is a municipality in the Ramanathapuram district of the Indian state of Tamil Nadu. It is on Pamban Island separated from mainland India by the Pamban channel and is about 40 kilometres (25 mi) from Mannar Island, Sri Lanka. It is in the Gulf of Mannar, at the tip of the Indian peninsula. Pamban Island, also known as Rameswaram Island, is connected to mainland India by the New Pamban Bridge. Rameswaram is the terminus of the railway line from Chennai and Madurai. Together with Varanasi, it is considered to be one of the holiest places in India for Hindus and is part of the Char Dham pilgrimage.

    According to the Ramayana, Rama is described to have built a bridge from the vicinity of this town across the sea to Lanka to rescue his wife Sita from her abductor Ravana. The temple, dedicated to the Hindu god Shiva, is at the centre of the town and is closely associated with Rama and Shiva. The temple and the town are considered a holy pilgrimage site for Shaivas and Vaishnavas. (Full article...)
  • Image 21 The Mānasollāsa also known as Abhilashitartha Chintamani, is an early 12th-century Sanskrit text composed by the Kalyani Chalukya king Someshvara III, who ruled in present-day Karnataka. It is an encyclopedic work covering topics such as polity, governance, ethics, economics, astronomy, astrology, rhetoric, veterinary medicine, horticulture, perfumes, food, architecture, games, painting, poetry, dance and music. The text is a valuable source of socio-cultural information on 11th- and 12th-century India. The encyclopedic treatise is structured as five sub-books with a cumulative total of 100 chapters. It is notable for its extensive discussion of arts, particularly music and dance. It is also notable for including chapters on food recipes and festivals, many of which are a part of modern Indian culture. (Full article...)
    The Mānasollāsa also known as Abhilashitartha Chintamani, is an early 12th-century Sanskrit text composed by the Kalyani Chalukya king Someshvara III, who ruled in present-day Karnataka. It is an encyclopedic work covering topics such as polity, governance, ethics, economics, astronomy, astrology, rhetoric, veterinary medicine, horticulture, perfumes, food, architecture, games, painting, poetry, dance and music. The text is a valuable source of socio-cultural information on 11th- and 12th-century India.

    The encyclopedic treatise is structured as five sub-books with a cumulative total of 100 chapters. It is notable for its extensive discussion of arts, particularly music and dance. It is also notable for including chapters on food recipes and festivals, many of which are a part of modern Indian culture. (Full article...)
  • Image 22 Gopala Gopala is a 2015 Indian Telugu-language satirical comedy drama film directed by Kishore Kumar Pardasani. The film is produced by D. Suresh Babu and Sharrath Marar under the Suresh Productions and North Star Entertainment banners. It stars Venkatesh, Pawan Kalyan, Shriya Saran, and Mithun Chakraborty while Ashish Vidyarthi and Posani Krishna Murali play supporting roles. The film is a remake of the 2012 Hindi film OMG – Oh My God! which was itself based on the Gujarati stage play Kanji Viruddh Kanji which is in turn inspired from 2001 Australian film The Man Who Sued God. It follows the story of an atheist, Gopala Rao (Venkatesh), who sues God after losing his shop in an earthquake. Religious organisations revolt against him and Lord Vishnu visits him as his human guide, under his incarnation Krishna (Kalyan). (Full article...)
    Gopala Gopala is a 2015 Indian Telugu-language satirical comedy drama film directed by Kishore Kumar Pardasani. The film is produced by D. Suresh Babu and Sharrath Marar under the Suresh Productions and North Star Entertainment banners. It stars Venkatesh, Pawan Kalyan, Shriya Saran, and Mithun Chakraborty while Ashish Vidyarthi and Posani Krishna Murali play supporting roles. The film is a remake of the 2012 Hindi film OMG – Oh My God! which was itself based on the Gujarati stage play Kanji Viruddh Kanji which is in turn inspired from 2001 Australian film The Man Who Sued God.

    It follows the story of an atheist, Gopala Rao (Venkatesh), who sues God after losing his shop in an earthquake. Religious organisations revolt against him and Lord Vishnu visits him as his human guide, under his incarnation Krishna (Kalyan). (Full article...)
  • Image 23 Apoorva Raagangal (pronounced [apuːɾʋa ɾaːɡaŋɡaɭ] transl. Rare melodies) is a 1975 Indian Tamil-language romantic drama film written and directed by K. Balachander. It stars Kamal Haasan, Sundarrajan, Srividya and Jayasudha, while Nagesh and Rajinikanth, in his feature film debut, play supporting roles. The film revolves around Prasanna (Haasan) who falls in love with the much older Bhairavi (Srividya) while Bhairavi's daughter Ranjani (Jayasudha) is drawn to Prasanna's father Mahendran (Sundarrajan). Apoorva Raagangal's theme was based on a riddle featured in the Indian folktale collection Vetala Panchavimshati about a king marrying a woman and his son marrying her mother, and Vetala, the riddler asking Vikramaditya what would be their kinship relations if these couples were to beget children. The film was produced by V. Govindarajan and J. Duraisamy under the Kalakendra Films banner, photographed by B. S. Lokanath and edited by N. R. Kittu; the music was composed by M. S. Viswanathan. Unlike many contemporaneous Tamil films, it was shot entirely in actual houses for their interiors without building sets, as Balachander wanted to convey a more authentic narration. (Full article...)
    Apoorva Raagangal (pronounced [apuːɾʋa ɾaːɡaŋɡaɭ] transl. Rare melodies) is a 1975 Indian Tamil-language romantic drama film written and directed by K. Balachander. It stars Kamal Haasan, Sundarrajan, Srividya and Jayasudha, while Nagesh and Rajinikanth, in his feature film debut, play supporting roles. The film revolves around Prasanna (Haasan) who falls in love with the much older Bhairavi (Srividya) while Bhairavi's daughter Ranjani (Jayasudha) is drawn to Prasanna's father Mahendran (Sundarrajan).

    Apoorva Raagangal's theme was based on a riddle featured in the Indian folktale collection Vetala Panchavimshati about a king marrying a woman and his son marrying her mother, and Vetala, the riddler asking Vikramaditya what would be their kinship relations if these couples were to beget children. The film was produced by V. Govindarajan and J. Duraisamy under the Kalakendra Films banner, photographed by B. S. Lokanath and edited by N. R. Kittu; the music was composed by M. S. Viswanathan. Unlike many contemporaneous Tamil films, it was shot entirely in actual houses for their interiors without building sets, as Balachander wanted to convey a more authentic narration. (Full article...)
  • Image 24 Satellite image of the storm prior to landfall in India on 6 November The 1996 Andhra Pradesh cyclone (also known as Cyclone 07B) was a small but powerful storm that left heavy damage in the Indian state of Andhra Pradesh. It formed on 4 November in the eastern Bay of Bengal. Moving westward, it quickly organized and developed a well-defined eye. On 6 November, the cyclone struck about 50 km (31 mi) south of Kakinada, Andhra Pradesh at peak intensity. The India Meteorological Department estimated peak winds of 145 km/h (90 mph), while the American-based Joint Typhoon Warning Center (JTWC) assessed peak winds of 215 km/h (135 mph). Soon after landfall, the cyclone weakened and dissipated by 7 November. Ahead of the storm, about 225,000 families evacuated, although many towns lacked proper storm shelters. When the cyclone made landfall, it produced strong winds up to 100 km (62 mi) inland, dropped 210 mm (8.3 in) of rainfall across a 40 km (25 mi) region, and flooded over 250 villages along a 60 km (37 mi) portion of the coast. About 70% of the overall damage was in East Godavari district, where two villages were entirely destroyed. The storm destroyed 241,802 ha (597,510 acres) of crops and killed millions of cattle and chicken. Across Andhra Pradesh, the storm damaged 647,554 houses, including over 10,000 that were destroyed. Overall damage totaled ₹21.5 billion (equivalent to ₹120 billion or US$1.4 billion in 2023), comparable to a cyclone in 1977 that also hit Andhra Pradesh. There were 1,077 confirmed deaths with many others missing, although many of the dead were washed into the sea and were unlikely to be found. After the storm, the government and local Red Cross chapters helped residents recover from the damage, while the World Bank provided money to better prepare Andhra Pradesh for future storms. (Full article...)

    Satellite image of the storm prior to landfall in India on 6 November

    The 1996 Andhra Pradesh cyclone (also known as Cyclone 07B) was a small but powerful storm that left heavy damage in the Indian state of Andhra Pradesh. It formed on 4 November in the eastern Bay of Bengal. Moving westward, it quickly organized and developed a well-defined eye. On 6 November, the cyclone struck about 50 km (31 mi) south of Kakinada, Andhra Pradesh at peak intensity. The India Meteorological Department estimated peak winds of 145 km/h (90 mph), while the American-based Joint Typhoon Warning Center (JTWC) assessed peak winds of 215 km/h (135 mph). Soon after landfall, the cyclone weakened and dissipated by 7 November.

    Ahead of the storm, about 225,000 families evacuated, although many towns lacked proper storm shelters. When the cyclone made landfall, it produced strong winds up to 100 km (62 mi) inland, dropped 210 mm (8.3 in) of rainfall across a 40 km (25 mi) region, and flooded over 250 villages along a 60 km (37 mi) portion of the coast. About 70% of the overall damage was in East Godavari district, where two villages were entirely destroyed. The storm destroyed 241,802 ha (597,510 acres) of crops and killed millions of cattle and chicken. Across Andhra Pradesh, the storm damaged 647,554 houses, including over 10,000 that were destroyed. Overall damage totaled ₹21.5 billion (equivalent to ₹120 billion or US$1.4 billion in 2023), comparable to a cyclone in 1977 that also hit Andhra Pradesh. There were 1,077 confirmed deaths with many others missing, although many of the dead were washed into the sea and were unlikely to be found. After the storm, the government and local Red Cross chapters helped residents recover from the damage, while the World Bank provided money to better prepare Andhra Pradesh for future storms. (Full article...)
  • Image 25 The mosque exterior, in 2008 The Masjid-i-Jehan-Numa, commonly known as the Jama Masjid (Urdu: جامع مسجد, romanized: jāme masjid) of Delhi, is one of the largest Sunni mosques in India. Its builder is the Mughal emperor Shah Jahan, between 1644 and 1656, and inaugurated by its first Imam, Syed Abdul Ghafoor Shah Bukhari. Situated in the Mughal capital of Shahjahanabad (today Old Delhi), it served as the imperial mosque of the Mughal emperors until the demise of the empire in 1857. The Jama Masjid was regarded as a symbolic gesture of Islamic power across India, well into the colonial era. It was also a site of political significance during several key periods of British rule. It remains in active use, and is one of Delhi's most iconic sites, closely identified with the methods of Old Delhi. The mosque structure is a Monument of National Importance. (Full article...)

    The mosque exterior, in 2008

    The Masjid-i-Jehan-Numa, commonly known as the Jama Masjid (Urdu: جامع مسجد, romanized: jāme masjid) of Delhi, is one of the largest Sunni mosques in India.

    Its builder is the Mughal emperor Shah Jahan, between 1644 and 1656, and inaugurated by its first Imam, Syed Abdul Ghafoor Shah Bukhari. Situated in the Mughal capital of Shahjahanabad (today Old Delhi), it served as the imperial mosque of the Mughal emperors until the demise of the empire in 1857. The Jama Masjid was regarded as a symbolic gesture of Islamic power across India, well into the colonial era. It was also a site of political significance during several key periods of British rule. It remains in active use, and is one of Delhi's most iconic sites, closely identified with the methods of Old Delhi. The mosque structure is a Monument of National Importance. (Full article...)
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26 April 2025 – 2025 India–Pakistan diplomatic crisis
Severe flooding is reported along the Jhelum River in Pakistan-administered Azad Kashmir after Indian authorities release a large amount of water without prior warning. The incident follows the suspension of the Indus Waters Treaty by the Indian government. (24 News HD)
25 April 2025 – Kashmir conflict
2025 India–Pakistan border skirmishes
Indian and Pakistani military troops exchange gunfire across the Line of Control during an ongoing diplomatic crisis caused by a terrorist attack in India-administered Kashmir. (Al Jazeera)
24 April 2025 – India–Pakistan relations
2025 India–Pakistan diplomatic crisis
Pakistan closes its land border and shared airspace with India indefinitely following the attack on tourists in Pahalgam, India-administered Kashmir, several days prior, and India's executive actions against Pakistan yesterday. (DW)

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